The Great Escape 2015 – Day 3…

Day three. The final day. My broken sleep-deprived body is screaming for me to stop but I force myself out of bed and head down to Green Door Store for the Canadian BBQ (this is the second year I’ve found myself here, always go check it out as there’s good music and free food). First up was 36? who “create ‘part pop, part art-rock, part psych-jazz'”. They were certainly different. I actually enjoyed the music, but was slightly put off by two things. Firstly, just before the set started the drummer took his jeans off so played the set in t-shirt and boxer shorts. Secondly, the singer makes for a wonderful front man with some epic dance moves. Sadly the dance moves turned into strange thrusting motions against his keyboard and guitar, and were accompanied by a wide eyed, verging on psychotic, stare into and around the crowd. I moved slightly to hide behind the people in front of me. After 36? I nearly left, but stuck it out for Young Benjamins. Best decision I’ve ever made. They were excellent. A four piece band from Saskatoon who combine pop, rock and folk influences to make brilliant music. Plus, they all smiled and laughed their way through the set which I love. The Great Escape tends to attract a very hipster crowd/bands who think enjoying themselves isn’t cool so stand, stony faced doing a subtle head nod, so it makes me happy to see people breaking this tradition. Sadly there are no photos of either of these bands due to my fear in the first act, and sheer enjoyment of the second.

I had 15 minutes to get from Green Door Store to Komedia to see Lawson. ‘That’s easy’ you say? Not on a Saturday in Brighton when the sun is out, it’s mid Festival, Fringe Festival and Great Escape and you’re navigating the North Laines full of tourists and antique stalls. But I made it. As I stepped in, the lights dimmed and screaming girls surrounded me. What I didn’t realise at this point is that they had sold extra tickets for this gig, so I spent the whole set wondering how a load of under age girls with no wristbands had been able to get in. They also have a bigger following than I realised. I knew one or two songs, but the audience were singing along to every word, screaming out their love for members of the band and having a proper party. They were good fun, lots of catchy pop tunes and being surrounded by a crowd that were so enthusiastic for every single word and note got me really caught up in the atmosphere. I turned a bit fan-girlish. It’s catching.

Lawson
Lawson
Lonely the Brave
Lonely the Brave

As we enter the final stretch and rock up to the Paganini Ballroom for Sonar Soul, we are excited for the evening ahead of us. Sadly, one song in, we decide we don’t like Sonar Soul so head to Patterns to be super early for Lonely the Brave. As we sit waiting on their unfinished terrace (the place is like a building site) watching the sun set on our final day of festivalling, we get a text from The Great Escape saying the downstairs room is at capacity. No problem, we go in the main room, tell the bouncer we’re going to the toilet, go downstairs and in the back door. Sneaky sneaky. Lonely the Brave were a good shout for the last night. Loud, danceable, fun. Although we spend the whole set wondering why the singer hides at the back of the stage with no light on him. Apart from singing, he doesn’t say anything. Talking is left to the guitarist who stands front and centre, in the spotlight. We leave pumped up and ready for the epic queue for the Maccabees.

We get distracted en route by the photo booth in the Spiegeltent. Anyone in Brighton should go. £2 a go. It’s a hoot.

Fitties
Fitties.
IMG_5220
I don’t know what happened to my face here.

Then we get to Corn Exchange. Even a few riotous games of Heads Up in the queue can’t distract us from the fact we stood in the cold for an hour and a half and only got let in half way through the set. But the Maccabees were worth it. We had spent the whole queue talking about Latchmere and its wave machine. Two minutes after walking in, they chat about playing new stuff, but also rediscovering old songs and they burst into LATCHMERE’S GOT A WAAAAAAAVE MACHINEEEE. It’s like they waited for us. What with it being the final night, the audience are excited and drunk, making the most of the last night. The atmosphere is electric, everyone is dancing and singing along. As they hit the last note, glitter explodes over the crowd. We leave happy, all bad memories of queuing pushed out of our minds as we walk home. Tiredness kicks in and I slept for nearly 9 hours.

Maccabees
Maccabees
IMG_5224
Glitter!

Happy 10th Birthday Great Escape. We still love you. Thank you for the weekend.

Great Escape in numbers:

  • Bands seen: 22
  • Pints consumed: Too many to remember
  • Venues visited: 9
  • Average hours of sleep per night: 6

 

The Great Escape 2015 – Day 2…

I survived day one.  Hurrah. Day two started with the builders outside my window singing and clattering around at 8am, so I started my planning early.

Heading out at 1pm I return to my favourite place in May, the Spiegeltent, for the Northern Irish showcase – specifically Ciaran Lavery. Lovely ginger man in a brand new suit. My kinda man. He was the second act of the festival to rock the harmonica/guitar combo. Different vibe to Fraser A Gorman though. The audience is calm – this is probably due to a mix of hangovers, early afternoon gig and the beautiful calming tone of Mr Lavery’s voice. My sleep deprived body instinctively wants to curl up in a ball and fall asleep listening to his voice. Halfway through the second song, he interrupts himself to dedicate his set to anyone that walks in half way through thinking they were coming to an epic afternoon rave, but now had to stay out of politeness, before continuing with his set. Great voice and cracking sense of humour. Top marks.

Ciaran Lavery
Ciaran Lavery
Groenland
Groenland

Now for a real adventure: finding the Paganini Ballroom. Tucked in round the side of the Old Ship Hotel on the sea front and real different to everywhere else I’ve been. Balconies, chandeliers (classy, not Shoosh-esque monstrosities) and Regency carpets and wallpapers. Then Groenland burst onto stage. There is a lot of them on a tiny stage, so I was worried that the dancing might tip one off but they partied on like it wasn’t 3pm. They were brilliant. I enjoy  anyone with a ukelele, violin, cello and melodica. Particularly the melodica. They quickly warmed the crowd up for a boogie and catchy clapping – sadly the girl behind me had no idea how to clap in time…

It’s evening. I’m outside Patterns again in what can only be described as a mahoosive queue. It turns out that it is because the venue isn’t open yet, so we move pretty quickly. Heading inside, the first thing I notice is the signs pointing towards the toilets – a relief after getting lost yesterday. A group of boys with wonderfully hipster hair appear on stage, everyone cheers, they start performing and people start looking confused. After the first song they thank everyone for coming out and introduce themselves as Osca. Now everyone looks very confused and starts pulling out their programmes. This is NOT Andy Shauf. As people start drifting out, the rest of us are rewarded with an uplifting and rousing set. When I  get outside in the daylight, I see they were meant to be on after Mr Shauf. What happened to him?

I ponder this as I cross over to coalition (one of the only seafront clubs with the same name as my uni days) just in time for Beach Baby. A “London based four piece whose crisp, U.S-inspired take on apathetic alternative pop”. Coalition is rammed (I’ve never witnessed it empty) so I’m stood behind a post so no photos. Very uptempo and danceable. Not sure I would call them apathetic.

Osca
Osca
Blurry Aurora
Blurry Aurora

Aurora. Her show is definitely not suitable for epileptics. I know she’s only 18 but looks avoid 12. Big wide eyes, gesticulating hand motions. Her band create wonderful noise encompassing everyone in the venue. Rapturous applause from the crowd. “You make me blush and sweat”. Sadly this is another act ruined by drunk bar chattering. Running With The Wolves bought on huge applause, apart from the man next to me who seemed to refuse to clap the ENTIRE show. Judging from the crowd and twitter, she entralled every member of the crowd and made us all fall a bit in love with her.

I head to the Corn Exchange for my second queue of the night (again because the venue hasn’t opened) and basically run inside to see Rag n Bone Man. He does not disappoint. Three songs in he sings Lay My Body Down and I nearly started crying and then had to hold it together for the rest of the show. Deep, soulful voice. Lovely beard. To anyone wondering if they should go see him, yes. Yes is the answer.

Rag n Bone Man
Rag n Bone Man
Rag n Bone Man
Rag n Bone Man

He was followed by Sunflower Bean and DMA’s. I have to admit, I didn’t pay the closest attention here because I a) had found some friends and b) I had consumed 6 pints by this point. Apparently Sunflower Bean mixes Black Sabbath’s dark rock with psychedelia. DMA’s sound a lot like Oasis. A lot.

Then came Django Django. The reason I waited in Corn Exchange for two hours. The venue was at capacity. The crowd was pumped. They put on a great show as always. We had a boogie. We started to sweat. It was now nearly 1am and my sleep deprived body needed a rest.

Day at two has basically destroyed me. One day left!